Vital vanguard, wonderful warriors: Marcus Books and Black Classic Press

Marcus Books, the legendary Black book store that for more than 50 years has been the intellectual heart of African American life in the Fillmore district in San Francisco, is facing a forced eviction -- or may have already been evicted -- as announced in a San Francisco Examiner article, "Marcus Books on the brink of closure"  (June 9).

The Victorian residence at 1712 Fillmore St. that Marcus has occupied for years was purchased, and the new owners had an eviction notice issued to the store with a deadline to leave by the end of this week.

I haven't found an update on any action taken following the eviction deadline this week: Color of Change had a petition soliciting support for the Marcus Books at http://colorofchange.org/blog/2013/jun/17/action-help-save-oldest-black-bookstore/.

Stay tuned, or please share an update if you know what's going on now.

Even as the disheartening news of Marcus Books' crisis circulates, there is uplifting news about another Black book business that is surviving, even thriving.

An article in Publishers Weekly recently announced that Black Classic Press founded by publisher Paul Coates in Baltimore is celebrating its 35th anniversary with a series of events that included a book signing by Walter Mosley.


Congrats to you, Paul, and Black Classic Press on your 35th anniversary!

Academic institutions, k-12 and higher education institutions, do not adequately integrate narratives that highlight the presence and influence of people of African descent in Western culture and in world history. Black authors, Black publishers and Black book store owners are the vital vanguard, the wonderful warriors, who arm the community with knowledge that affirms our humanity and debunks myths and lies about our history.   


The longevity that Marcus Books and Black Classic Press have accrued in the struggle is quantifiable and worthy of honor, but the real achievement of both institutions is their success in fostering self-realization and self-determination among Black people, and the impact of that achievement is immeasurable.

Afro Europe writing emerging - Kadija Sesay and Araba Johnston Arthur

The recent reports on social uprising and rioting in Britain raised awareness about the social tension in the Black British community, or in many cases, made people aware that there is a Black British community,  at all.

Kadija Sesay, Publisher, Sable Lit Magazine

At the Harlem Book Fair in July, I had a brief conversation about the growing emergence of new Black British writing with Kadija Sesay, publisher of the literary magazine, SableLit, and a writer and activist. Kadija had just participated in a panel on Black British writing standing on its own merits. The panel included poet Dorothea Smartt (ShipShape). The writers discussed Black literary activity in England and elaborated on complexities of ethnic and mainly Caribbean national identities that inform the writing categorized under the umbrella of Black British writing in the "post-colonial" era.

Here is a link to a radio interview today that Kadija Sesay participated in on the program Africa Now with another guest, activist Araba Johnston Arthur; topics include the new brand of Black British writers who have emerged in the last four or five decades, following what is known as the post-colonial era (writers such as Kwinton Lesi Johnson and Caryl Philips).

Araba Johnston Arthur, a Black Austrian writer, talked about Black Austrian writers tending to write in the English language rather than in the German, and intentionally using the term, "Black," because the term carries with it the force of Black power and Black consciousness (associated with the Black power/ consciousness movement in the United States.) Araba implied that there is essentially no equivalent term in German that carries the context of "Black power." Literature has played a significant role in resistance and, she said, "[it] still does play a very important role in making our experience more visible in talking back in the form of art." Admittedly, I have read no Black Austrian writers (that I know of)--this interview has raised my consciousness of the existence of a Black Austrian community at all.

On Africa Now, Kadija spoke of the social unrest that exploded a few weeks ago in Britain. Acknowledging that social media played a role in instigating riots--and suggests that the authorship of some text messages she saw were questionable--perhaps fabricated to perpetuate the unrest. She is right about the critical importance of literacy among Black youth and the significance of the arts in developing young people's potential. Agree with her also that critical reviews of art is essential. SableLit is working with youth, sixteen and older, to help them to advance their literary talents and to get published. In this its tenth year, SableLit has been awarded government funds to expand its work.

Howard University Press passes baton to Black Classic Press

Congratulations to Howard University Press and Black Classic Press for forging this historic transaction that preserves the legacy of a distinguished university press and extends the the reach of a venerable Black publisher.  

Black Classic Press Acquires Howard University Press backlist; Plans New Editions 

By Calvin Reid (Publishers Weekly)

May 24, 2011

After 39 years of distinguished scholarly publishing focused on African-American life and history around the world, the Howard University Press is closing its doors. The university has reached an agreement with Baltimore-based Black Classic Press, an African-American independent press and print-on-demand vendor, to acquire a selection of the press’s backlist of more than 175 scholarly titles with plans to reissue most of them in new editions under BCP’s new line of Howard University Classic Editions.

Black Classic Press

W. Paul Coates, president of Black Classic Press, is a former Howard University librarian and a former street book vendor who began his publishing career selling books on the streets in front of Cramton Auditorium on the Howard campus. “It’s humbling to have the opportunity to extend the awesome legacy of the books created by Howard University Press because, for decades, Howard was the ‘gold standard’ that advanced Black publishing beyond the realms of any other press,” Coates said.

Howard University provost and chief academic officer Dr. James H. Wyche, said the closing of the press is “related partly to the significant changes that have transformed the publishing business,” and said, “after nearly four decades of unparalleled service to the scholarly publishing field, we have made a difficult decision.” But he also said, “This is a win-win proposition for Howard, HUP, Black Classic, and the many scholars, faculty, and students around the world who have benefited from the insightful and much-needed scholarship published by Howard’s scholarly press over the years.”

In a phone interview with Coates he outlined big plans for Howard University Classic Editions and said he plans to “immediately incorporate the titles into Black Classic Press’s digital database.” BCP will acquire about 84 of HUP's 175 backlist titles. John Hopkins University Press will continue to distribute HUP Classic Editions and the press will begin rejacketing about 6 titles a month in preparation for uploading them into the Black Classic Press’s POD database for reprinting. BCP is short-run and print-on-demand publishing house that specializes in reprinting classic works of African-American literature and keeping them in print. Coates said he expected to upload “the best selling titles first. We’ll eliminate on-hand titles through sales and remaindering.”

Founded in 1972 under the director of Charles Harris, at the time a former editor at Random House, the Howard University Press published about 12 titles annually during its best years. Among the press’s best known and best selling titles are Walter Rodney’s 1981 How Europe Underdeveloped Africa; and Dr. Joseph Harris’s 1993 seminal work, Global Dimensions of the African Diaspora.

HUP Press also sponsored the HUP Book Publishing Institute, an annual summer workshop that specialized in training African Americans, other minorities and women for careers in magazine and book publishing. Coates plans to revive the work of the publishing institute through an intern program at Black Classic Press.

“There will be an opportunity for Howard University students to intern at BCP to provide experience in print and an increasingly digital world. Students can grow as we grow in this sector,” Coates said. Coates also intends to extend the HUP’s publishing legacy by continuing to publish scholarly works by Howard’s and other faculty, particularly in the field of black/African studies as well as works on Africa and on African diasporan life in Latin America, the Carribean and elsewhere. “The acquisition will strengthen the BCP list in those areas and make BCP visible to everyone as a place to submit manuscripts,” he said.

Noting a long association with Howard University that dates to the 1970s, Coates said his acquisition of the list is the culmination of a dream to become a publisher that began on the campus of Howard University when he used to go to Founder’s Library to warm up on cold days when he was a street book vendor. “My whole idea to be a publisher began at Founder’s Library,” he said, “that’s where the idea that I would develop a press and be a publisher began. This is a unique opportunity. HUP is the only black academic press to turn its titles over to an independent black publisher and we will work to maintain an important black legacy. “

See the article and comments at: http://bit.ly/j2CAGX

Twitter v. Facebook from BookEnds Literary Agency

Here's an article from a literary agency director considering which social networking platform is better for writers, Facebook or Twitter.

I find that between my FB and Twitter pages, more writers -- and readers -- actively share on Twitter than on Facebook. I agree with some of the commenters who've said that Twitter is a great way to meet writers and introduce their work. FB is a good place to build on the relationships begun on Twitter.

What do you think?

BookEnds, LLC — A Literary Agency: Social Networking: Twitter v. Facebook: "As you know, I’ve been thinking a lot about social networking and how authors can best use it for promotion, and one of the things I have been dwelling on is Twitter v. Facebook and which is really the more powerful when it comes to building a readership because, let’s be honest, that’s our ultimate goal."

Six Black publishers you should know and support

I know several publishers on this list who have been publishing for more than twenty-years; kudos to the Atlanta Post for highlighting these important pioneers. They are committed to providing Black people, particularly, with literature that informs us about our historical experience and inspires us about our potential and future. Check out their titles and support them. 

Wade Hudson (Just Us Books) and Paul Coates (Black Classic Press) (C 2008)

6 Black-Owned Book Publishers
MARCH 24, 2011 08:15 AM

You don’t have to look hard for predictions of the end of the publishing industry.   Frightening stuff if you’re a book lover, especially one for whom a book still means paper and a spine.   For now, however, presses continue to bring books to market.  Here are six African-American publishers who remain in the trade, committed to sharing high-quality literature and non-fiction to challenge and inform.

Haki Madhubuti entered the world of book peddling on a Chicago street corner.   At one dollar a pop he sold 600 copies of his poetry collection in a single day.   When a $400 literary award came through, he formalized the enterprise, purchasing a mimeograph machine, and with the aid of two friends, set up shop in his basement apartment.  The year was 1967 and it wasn’t long before Madhubuti, a lead figure in the Black Arts Movement, was distributing the work of his contemporaries — Gwendolyn Brooks, Sonia Sanchez and Amiri Baraka among them.  Scholarly works joined literary texts, the result of which is one of the most extensive rosters of progressive black thought in the world.

See the full lists at: http://atlantapost.com/2011/03/24/6-black-owned-book-publishers/4

This post was updated on April 22, 2011with a photograph of two publishers featured in the article, Wade Hudson (Just Us Books) and Paul Coates (Black Classic Press).

University Presses partnering for survival

The plight and survival plans of university presses was recently reviewed in an article on The Chronicle of Higher Education website.

March 7, 2011

University Presses Are Urged to Work Together to Survive

By Jennifer Howard
Operating in this digitally powered era of "information hyperabundance," university presses still get most of their sales revenue from print sales. But they're also putting more and more energy into trying electronic, open-access, and nontraditional publishing—and are likely to be experimenting for a very long time. So says a new report made public today by the Association of American University Presses.

Read the full article at: http://chronicle.com/article/University-Presses-Are-Urged/126633/