Toni Morrison, Home

Home, Toni Morrison's new novel, will be released on Tuesday, May 8. Just in time to get on my summer reading list. Here's the first few paragraphs (below). You can follow the link to the excerpt to the audio clip read by Morrison and the print excerpt, disappointingly brief, that her publisher Random House posted on its website.

"They rose up like men. We saw them. Like men they stood.

Home by Toni Morrison

We shouldn’t have been anywhere near that place. Like most farmland outside Lotus, Georgia, this here one had plenty scary warning signs. The threats hung from wire mesh fences with wooden stakes every fifty or so feet. But when we saw a crawl space that some animal had dug—a coyote maybe, or a coon dog—we couldn’t resist. Just kids we were. The grass was shoulder high for her and waist high for me so, looking out for snakes, we crawled through it on our bellies. The reward was worth the harm grass juice and clouds of gnats did to our eyes, because there right in front of us, about fifty yards off, they stood like men. Their raised hooves crashing and striking, their manes tossing back from wild white eyes. They bit each other like dogs but when they stood, reared up on their hind legs, their forelegs around the withers of the other, we held our breath in wonder. One was rust-colored, the other deep black, both sunny with sweat. The neighs were not as frightening as the silence following a kick of hind legs into the lifted lips of the opponent. Nearby, colts and mares, indifferent, nibbled grass or looked away. Then it stopped. The rust-colored one dropped his head and pawed the ground while the winner loped off in an arc, nudging the mares before him."

(Read or listen to the entire excerpt)

Poet Nikky Finney's acceptance speech at the NBA for Head Off & Split

Poet Nikky Finney won the 2011 National Book Award last year for Head Off & Split, a collection of impresseive poems which layer reams of meaning into meaty metaphors served up you might say in bite-sized lines of controlled meter.

Impressive as Finney's achievement is in this volume, her acceptance speech for the NBA was a power-packed appetizer for the book. In her remarks, Finney put her audience on notice that she was serving up truths not always pleasing to the palate nor easily digested. However, everyone who values truth could take a seat at her table and would eat well.
Here's a link to Nikky Finney's acceptance speech well worth savoring (about 9 minutes): http://www.nationalbook.org/nba2011_p_finney.html

New York "Big City Book Club" will read James Baldwin's Another Country

Another Country

This note recently appeared in the New York Times:

In honor of the long-awaited return of “Mad Men” on March 25, the Big City Book Club  [a discussion group moderated by New York Times columnist, Ginia Bellafante].is getting in the spirit of 1960s Manhattan. Our next selection is James Baldwin’s 1962 novel, “Another Country,” which chronicles the descent of the jazz drummer Rufus Scott.
Baldwin recreates the world of Greenwich Village bohemians for an examination of race, emotional denial, professional rivalry, tortured marriages and other subjects that the AMC series has mined so well. Join us for an online conversation April 4 at a new time, from 7 to 10 p.m.

9th Annual Walter Rodney Symposium

Join Black Classic Press Director W. Paul Coates and members of the Walter Rodney Foundation next Friday, March 23 for the 9th Annual Walter Rodney Symposium in Atlanta, Georgia.
The Walter Rodney Foundation is a non-profit organization working to advance education, health, and development by promoting human rights, social justice and sustainable development.

Since 2004, an annual symposium has been held in Atlanta, Georgia to honor the work of Dr. Walter Rodney (1942-1980), Pan-Africanist historian, educator and political activist widely known for his seminal work, How Europe Underdeveloped Africa, first published in 1972.  The goal of the symposium is to bring together scholars, researchers, activists, students and the community to discuss contemporary issues from a Rodney perspective.

The Autobiography of An Ex-Colored Man: Centennial

Source: The Daily Beast,
Penguin Classics, $6.10

This year marks the centennial anniversary of the publication of James Weldon Johnson's novel, The Autobiography of an Ex-Colored Man. "Daily Beast" columnist Nathaniel Rich featured Johnson's novel recently in his series, American Dreams, which looks back at works of fiction that helped to define the last American century. Rich makes the point that The Autobiography of an Ex-Colored Man was a pivotal work that took the bold artistic leap in 1912 to portray an African American man wrestling intellectually with his decision to cross the color line to pass as a white man. Through his character's reasoning about the impact of racial identification, Johnson depicts the ex-colored man, and by implication African Americans generally, as socially and psychologically complex. The novel, Rich says, influenced Langston Hughes, Zora Neale Hurston and Claude McKay among others to write autobiographical fiction depicting realistic portraits of Black people. This move contrasted the simplistic caricatures of Blacks (such as the "happy darky") that were exported from 19th century sterotypes and that--without the assertion of realism in American fiction--threatened to dominate the lens through which African Americans would be seen for another hundred years.

Successful songwriter, poet, novelist and author of the personal narrative  (check out his autobiography, Along this Way), James Weldon Johnson was a renaissance man who not only penned lyrics that came to be embraced as the Negro national anthem but with The Autobiography of An Ex-Colored Man, signaled a trend to render the national character of African American people authentically, in all of our diversity and as our richly-layered selves.

Jim Haskins featured by The Brown Bookshelf

The Brown Bookshelf (BB) is conducting its annual feature, "28 Days Later," which highlights a Black writer or illustrator every day during February, Black history month.

On day 4, BB featured award-winning author, Jim Haskins. Even if you don't know him by name, you probably know of at least one of Jim Haskins's more than 200 books--most of which are non-fiction books of Black history written for children and young adults.

The last book I read by Haskins was The Geography of Hope (1999), a detailed and vivid narrative of the rugged migration that Black families made from the South into the mid-west and west, motivated by intimidation and violence of hostile White southerners. Haskins books are treasures; I'd like to see every child have one or two of his works on their home library shelves.

In case you don't know Jim Haskins, here's an opportunity to be introduced to him through the Brown Bookshelf's profile.  Then, find a Haskins books on a topic of your interest and read it. You will want to begin collecting his work for your home library, as well as to start sharing it with young people in your life.  I am working on collecting one of every book he wrote.  Would be interested to know your thoughts on Haskins work.

Liberation Bookstore owner, Una Mulzac, 88

A few days ago when my August 2010 post about Liberation Bookstore and Una Mulzac blew up with hits, I knew it was a signal that this matriarch and soldier in the army of black political struggle had, as one headline read, "joined the ancestors."

Like many who lived outside of the Harlem community, and outside of NY state for that matter, I "knew" Una Mulzac and Liberation Bookstore more by reputation than by personal experience. In a wonderful culturally-conscious period between the early '80s through the mid-'90s, I heard the name of Liberation Bookstore invoked by brothers and sisters at black cultural fairs, literary conferences and black arts festivals in my hometown of Baltimore. From what these sisters and brothers said, I learned that Liberation Bookstore was a mecca where the conscious, the righteous brotherhood and sisterhood traveled to fortify themselves with black literature but also to meet up with other disciples of black culture who patronized Liberation and admired Una Mulzac.

I don't remember when I learned that the owner of Liberation Bookstore was a woman, but that news was indeed liberating for me. Una Mulzac was likely the first contemporary Black woman that I heard of who, as an entrepreneur, was dedicated to providing her community with black literature. Liberation became a destination that I kept faith to visit one day. Fortunately, I did visit several times, and listened first-hand to Una Mulzac talk about her father's dedication to the cause, and her own life devoted to freedom and human rights.

My post on Liberation Bookstore after the Harlem Bookfair in 2010 has been one of the consistently popular posts on this blog; I offer it here again in tribute to Una Mulzac, with gratitude for the example that she set for me to pursue a life devoted to books, according to my own interests, in the promotion of education and the progress of Black people.

In addition, two obituaries (you will need to sign up for accounts):
Liberation Bookstore owner, Una G. Mulzac, passes at 88, by Herb Boyd, Special to the Amsterdam News

Una Mulzac, Bookseller With Passion for Black Politics, Dies at 88, by Douglas Martin, NYT, Feb. 4, 2012